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Simon And Garfunkel - Parsley Sage Rosemary and Thyme [FLAC] TNT Village

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Simon And Garfunkel - Parsley Sage Rosemary and Thyme [FLAC] TNT Village

.: Release Originale :.

http://forum.tntvillage.scambioetico.org/index.php?showtopic=366567

Anno: 10 ottobre 1966
Genere: Folk
rock

Simon & Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on
which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing,
and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and
pointed as either of those records at their respective bests. After the frantic rush to put together an LP in just three
weeks that characterized the Sounds of Silence album early in 1966, Parsley, Sage, Rosemary and Thyme came together over
a longer gestation period of about three months, an uncommonly extended period of recording in those days, but it gave
the duo a chance to develop and shape the songs the way they wanted them. The album opens with one of the last vestiges
of Paul Simon's stay in England, "Scarborough Fair/Canticle" -- the latter was the duo's adaptation of a centuries-old
English folk song in an arrangement that Simon had learned from Martin Carthy. The two transformed the song into a
daunting achievement in the studio, however, incorporating myriad vocal overdubs and utilizing a harpsichord, among
other instruments, to embellish it, and also wove into its structure Simon's "The Side of a Hill," a gentle antiwar song
that he had previously recorded on The Paul Simon Songbook in England. The sonic results were startling on their face, a
record that was every bit as challenging in its way as "Good Vibrations," but the subliminal effect was even more
profound, mixing a hauntingly beautiful antique melody, and a song about love in a peaceful, domestic setting, with a
message about war and death; Simon & Garfunkel were never as political as, say, Peter, Paul & Mary or Joan Baez, but on
this record they did bring the Vietnam war home.

The rest of the album was less imposing but just as
beguiling -- audiences could revel in the play of Simon's mind (and Simon & Garfunkel's arranging skills) and his sense
of wonder (and frustration) on "Patterns," and appreciate the sneering rock & roll-based social commentary "The Big
Bright Green Pleasure Machine." Two of the most beautiful songs ever written about the simple joys of living, the
languid "Cloudy" and bouncy "The 59th Street Bridge Song (Feelin' Groovy)," were no less seductive, and the album also
included "Homeward Bound," their Top Five hit follow-up to "The Sound of Silence," which had actually been recorded at
the sessions for that LP. No Simon & Garfunkel song elicits more difference of opinion than "The Dangling Conversation,"
making its LP debut here -- one camp regards it as hopelessly pretentious and precious in its literary name-dropping and
rich string orchestra accompaniment, while another holds it as a finely articulate account of a couple grown distant and
disconnected through their intellectual pretensions; emotionally, it is definitely the precursor to the more highly
regarded "Overs" off the next album, and it resonated well on college campuses at the time, evoking images of graduate
school couples drifting apart, but for all the beauty of the singing and the arrangement, it also seemed far removed
from the experience of teenagers or any listeners not living a life surrounded by literature ("couplets out of rhyme"
indeed!), and understandably only made the Top 30 on AM radio. "For Emily, Whenever I May Find Her" was a romantic idyll
that presented Art Garfunkel at his most vulnerable sounding, anticipating such solo releases of his as "All I Know,"
while "Flowers Never Bend With the Rainfall" was Simon at his most reflectively philosophical, dealing with age and its
changes much as "Patterns" dealt with the struggle to change, with a dissonant note (literally) at the end that
anticipated the style of the duo's next album.

"A Simple Desultory Philippic," which also started life in
England more than a year earlier, was the team's Dylanesque fuzz tone-laden jape at folk-rock, and a statement of who
they weren't, and remains, alongside Peter, Paul & Mary's "I Dig Rock & Roll Music," one of the best satires of its
kind. And the last of Simon's English-period songs, "A Poem on the Underground Wall," seemed to sum up the tightrope
walk that the duo did at almost every turn on this record at this point in their career -- built around a beautiful
melody and gorgeous hooks, it was, nonetheless, a study in personal privation and desperation, the "sound of silence"
heard from the inside out, a voice crying out. Brilliantly arranged in a sound that was as much rock as film music, but
with the requisite acoustic guitars, and displaying a dazzling command and range of language, it could have ended the
album. Instead, the duo offered "7 O'Clock News/Silent Night," a conceptual work that was a grim and ironic (and
prophetic) comment on the state of the United States in 1966. In retrospect, it dated the album somewhat, but that final
track, among the darkest album-closers of the 1960s, also proved that Simon & Garfunkel weren't afraid to get downbeat
as well as serious for a purpose. Overall, Parsley, Sage, Rosemary and Thyme was the duo's album about youthful
exuberance and alienation, and it proved perennially popular among older, more thoughtful high-school students and
legions of college audiences across generations. [The August 2001 reissue offers not only the best sound ever heard on
this album in any incarnation, but also a few bonuses -- a slightly extended mastering of "Cloudy" that gives the
listener a high-harmony surprise in its fade; and, as actual bonus tracks, Simon's solo demos of "Patterns" and "A Poem
on the Underground Wall." Raw and personal, they're startling in their intimacy and their directness, and offer a more
intimate view of Paul Simon, the artist, than ever seen.

.: Cover :.



.: Tracklist :.

1. Scarborough Fair/Canticle
2. Patterns
3. Cloudy Simon, Woodley
4.
Homeward Bound
5. The Big Bright Green Pleasure Machine
6. The 59th Street Bridge Song
7. The Dangling
Conversation
8. Flowers Never Bend With The Rainfall
9. A Simple Desultory Philippic
10. For Emily,
Whenever I May Find Her
11. A Poem on the Underground Wall
12. 7 O'Clock News/Silent Night
EXTRA
13.
Patterns (Demo)
14. A Poem on the Underground Wall (Demo)

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Simon And Garfunkel - Parsley Sage Rosemary and Thyme [MP3 320] TNT Village	1 Year+ - in Music	78.43 MB	1	0
Simon and Garfunkel-Parsley Sage Rosemary and Thyme-Remastered-2	1 Year+ - in Music	39.25 MB	4	2
Simon & Garfunkel - Parsley, Sage, Rosemary And Thyme (2014) [FLAC 24-192]	1 Year+ - in Music	1.04 GB	3	4
Simon & Garfunkel - Parsley, Sage, Rosemary And Thyme (1966) (2018) [FLAC HD]	1 Year+ - in Music	573.43 MB	2	0
Simon & Garfunkel - Parsley, Sage, Rosemary And Thyme (1966) (2018) [FLAC HD]	1 Year+ - in Music	573.43 MB	7	0

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